Book Reviews

 

Book reviews are not generally peer reviewed. Be that as it may, they are reviewed by the editorial board and the section editor, Maria Irene Aparício. Please contact her, in case you have ideas for or questions about this section.

Book Reviews Deadline / Number 4: "Philosophy of Religion and Cinematic Art" - 15 April 2013

Book Reviews Deadline extended / Number 5: "Portuguese Cinema" - 30 June 2013

 

Cinepoetry. Imaginary Cinemas in French Poetry by Christophe Wall-Romana (New York: Fordham University Press, 2013)
(copy available)

In nome della legge: la giustizia nel cinema italiano by Guido Vitiello (Org.) (Editore Rubbetino 2013)
(copy available)

Manoel de Oliveira. Cinema, parola, politica by Francesco Saverio Nisio (Genova: Le Mani, 2010)
(copy available)

Seeing the Light. Exploring Ethics Through Movies by Wanda Theys (Wiley-Blackwell, 2012)
(copy available)

Les Titres de Film. Économie et évolution du titre de film français depuis 1969 by Noëlle Rouxel-Cubberly (Michel Houdiard Éditeur, 2011)
(copy available)

The Philosophy of Spike Lee edited by Mark T. Conard (The University Press of Kentucky, 2011)
(copy available) 

Images des Corps / Corps des Images au Cinéma Sous la direction de Jérôme Game (ENS Éditions, 2010)no (no copy available)

Brutal Vision: The Neorealist Body in Postwar Italian Cinema by Karl Schoonover (University of Minnesota Press 2012)
(no copy available)

Cinema no Estado Novo. A Encenação do Regime by Patrícia Vieira (Edições Colibri, 2011)
(no copy available)

Frames of Mind: a Post-Jungian Look at Cinema, Television and Technology by Luke Hockley (Intellect, 2012)
(no copy available)

New Takes in Film Philosophy edited by Havi Carel and Greg Tuck (Palgrave Macmillan, 2011)
(no copy available)

Opening Bazin: Postwar Film Theory and its Afterlife edited by Dudley Andrew (OUP USA, 2011)
(no copy available)

Pasolini, Fassbinder and Europe: Between Utopia and Nihilism edited by Fabio Vighi and Alexis Nouss (Cambridge Scholars Publishing, 2010)
(no copy available)

Ethics at the Cinema edited by Ward E. Jones and Samantha Vice, (OUP USA, 2011)
(no copy available)

Afterimages of Gilles Deleuze's Film Philosophy edited by D. N. Rodowick (University of Minnesota Press, 2009)
(no copy available)

Badiou and Cinema by Alex Ling (Edinburgh University Press, 2010)
(no copy available)

Cinéma by Alain Badiou and Antoine de Baecque (Nova Éditions, 2010)
(no copy available)

Deleuze and Cinema: The Film Concepts by Felicity Colman (Berg Publishers, 2011)
(no copy available)

Deleuze and World Cinemas by David Martin-Jones (Continuum, 2011)
(no copy available)

Foucault va au cinéma by Dork Zabunyan and Patrice Maniglier (Bayard Centurion, 2011)
(no copy available)

Hitchcock and the Cinema of Sensations: Embodied Film Theory and Cinematic Reception by Paul Elliott (I.B. Tauris, 2011)
(no copy available)

Observations on the Art, Craft, and Business of Filmmaking by David Bordwell and Kristin Thompson (University of Chicago Press, 2011)
(no copy available)

Philosophy, Black Film, Film Noir by Dan Flory (Pennsylvania State University Press, 2008)
(no copy available)

Les séries télévisées: L'avenir du cinéma by Jean-Pierre Esquenazi (Armand Colin, 2010)
(no copy available)

Survivance des lucioles by Georges Didi-Huberman (Les Éditions de Minuit, 2009)
(no copy available)

Malick: Film and Philosophy edited by Stuart Kendall and Thomas Deane Tucker (Continuum, 2011)
(no copy available)

World Cinema and the Ethics of Realism by Lúcia Nagib (Continuum, 2011)
(no copy available)