No. 2 (2011)  PDF

 

 

ABSTRACTS AND CONTRIBUTORS, 1-10  ONLINE  PDF

 

Articles

THE PHILOSOPHY OF FILM AND FILM AS PHILOSOPHY, 11-35  ONLINE  PDF

    Tom McClelland

LAYERING IMAGES, THWARTING FABLES:

DELEUZE, RANCIÈRE AND THE ALLEGORIES OF CINEMA, 36-60  ONLINE  PDF

    Agustin Zarzosa

THE TWILIGHT OF THE INDEX, 61-89  ONLINE  PDF

    Temenuga Trifonova

SEMIOTIC IMAGES, 90-115  ONLINE  PDF

    Flore Chevaillier

“BIOPOLITICS ON SCREEN”: 

AERNOUT MIK’S MOVING-IMAGE INSTALLATIONS, 116-140  ONLINE  PDF

    Gabriella Calchi-Novati

PARA UMA TEORIA DO CLICHÉ, 141-164  ONLINE  PDF

    Leonor Areal

TÉCNICAS CINEMATOGRÁFICAS E ACTOS MENTAIS:

“THE PHOTOPLAY” DE HUGO MÜNSTERBERG, 165-183  ONLINE  PDF

    Teresa Pedro

 

Translation

MERLEAU-PONTY E O PENSAMENTO DO CINEMA, 184-195  ONLINE  PDF

    Mauro Carbone, trad. Débora Quaresma e Davide Scarso

 

Interview

QUESTIONS FOR JACQUES RANCIÈRE 

AROUND HIS BOOK LES ÉCARTS DU CINÉMA [ENG.], 196-206  ONLINE  PDF

QUESTIONS À JACQUES RANCIÈRE 

AUTOUR DE SON LIVRE LES ÉCARTS DU CINÉMA [FR.], 207-217  ONLINE  PDF

    Conducted by Susana Nascimento Duarte

 

Conference Report

FILM-PHILOSOPHY CONFERENCE

(LIVERPOOL JOHN MOORES UNIVERSITY, 6-8 JULY 2011), 218-229  ONLINE  PDF

    William Brown

 

Book Reviews

CEM MIL CIGARROS:

OS FILMES DE PEDRO COSTA, 230-236  ONLINE  PDF

    Iván Villarmea Álvarez

MAGNÍFICAS OBSESSÕES:

JOÃO BÉNARD DA COSTA, UM PROGRAMADOR DE CINEMA, 237-243  ONLINE  PDF

    Paulo Cunha